Joanne Philpott Journalism
Wednesday, 31 October 2018
Thursday, 19 July 2018
Sunday, 1 July 2018
Monday, 11 December 2017
Monday, 28 August 2017
Friday, 25 August 2017
Thursday, 13 November 2014
24 Hour Rave Review - Tillate Magazine
Thousands of ready-to-go revellers waited in the midday sun
in the dawn of the unknown, in what was being labelled as ‘rave utopia’.
This was no ordinary rave, this was infact the ’24 hour
rave’. Saturday 20 September saw the iconic Rainbow Venues host the first ever
charity based rave experiment, taking over what would normally be a quiet
Saturday afternoon in Digbeth, and filling it with people from far and wide all
moving along to a variety of genres including House, Drum ‘n’ Bass, Techno,
Garage, Hardstyle and Hardcore.
With the main aim of raising proceeds to go to Birmingham
Children’s Hospital, the event saw the whole of The Rainbow being utilised to
cater for as many different genres that could be thought of, making sure that
no-one would be disappointed when they wanted to let themselves go and just
dance. Birmingham’s finest night-time event brands such as Seedy Sonics, Shadow
City, Portal, 2:31 and EBL all showcased their talent to keep the crowd
energised for as long as their mind, bodies and souls could take.
From early afternoon it was the main stage located under the
railway arches which caught the biggest crowd. Seedy Sonics took the deck
duties early on with the regular DJs of the brand such as LFM & Mali, who
alongside the crew played a mix of house and bass to the eager crowd swaying
away and sipping on their drinks. The style was effortless with the crowd dancing
to a soundtrack of more popular house tracks such Ninetoes and Disclosure; the
crowd couldn't resist singing back, giving an all-round happy and pleasant
vibe.
Although hidden away in the corner of the arena, it was the
DAVE stage which was the highlight stage of the day, providing the darker and
techier sounds of house music. Considering how popular such music is, alongside
how good the DJs of the stage were, it was a shame of the location of it. The
stage seemed to be more of a soundtrack to those who wanted to grab some food
or dared to have a go on the fairground rides within the arena.
As the sun went down and the darkness descending upon those
still with plentiful of energy within them, it was the Warehouse which came
alive. After the crowd had to say goodbye to the main stage under the arches,
they filled the warehouse rapidly, which was being hosted under the joint
partnership of the brands Portal, Dolce Vita and Resonate. With still over 9
hours to go, the crowd were surprisingly energised; cheering and pumping their
fists to every beat and drop that filled the almighty space of the Rainbow. For
those not feeling it, The Garden provided Drum ‘n’ Bass and The Morgue played
garage right till the very end too, still allowing a choice of genres to pick
from.
The warehouse saw plenty of DJs to play within the remaining
time; Scott Waldron, Bradley Hughes, Stephan Taylor and Oli Neiyyar were just a
few to name who gave the crowd their dose of house, deep and techno from Sonny
Fodera and Cajmere to Maceo Plex right until the very end. The last ten minutes
saw the crowd give their last bout of energy to the sound of Make Luv by Room
5, singing in all their glory until it faded away, taking everybody back to the
reality that it was infact midday on a Sunday in September.
From start to finish, the 24 hour rave ran smoothly;
everyone kept in good spirit and the additions alongside the music such as the
chill out area and the film room tent added that little extra bit to complete
the package of the day.
Subscribe to:
Posts (Atom)